Since I became father I have enjoyed any moment. My daughter Sofia, 15 months, is simply a mystery of beauty.
I am Italian and we live in London. As the majority of parents, we want to give Sofia the best emotionally-nurturing, psychologically-balancing and socially-enriching experiences we can. Because Sofia’s beauty is a mystery, what me and my partner can do is to offer her the best stimuli we can, and she will deal with it her own way.
It was a Saturday, 11 am, Archway children centre. Sofia and me were there to attend to a “Early Years Theatre” performance by Elisa Fontana, an Italian artist from Verona.
Born in 1978 in Italy, Elisa works with contemporary artistic disciplines inventing formats which cross genres and approaches. Her work focuses on relational art with an inter-generational approach. She creates performances, installations, games and theoretical reflections about performing art.
In that page there is a detailed description of her biography.
In this page I wrote what I could see.
I often go to Round House or Jacksons Lane to enjoy circus and theatre, but Early years theatre has been, so far, something unique.
She performs in a small room of about 15 Sq m, at the same level of the audience: babies sit in front of the stage. They can easily walk through it and as you can imagine babies of such age (6 months to 2 years old) do not care much about being an obedient sitting spectator, but here comes the wisdom of Elisa’s approach.
She is not just an artist, but also a nursery teacher and she knows children very well.
In “The Danish way of parenting” the first chapter is dedicated to play: children learn through play. If you think for a moment it is obvious: babies do not know rules and when there are no rules everything is play. Stop a baby from playing and you will stop her learning process.
Elisa is a performer and an educator at the same time and when a child walks into the stage she plays with her without losing track of the show: the baby becomes, magically, part of the performance without stop learning.
Early years theatre is a unique moment for the life of children: music, nice objects, colourful lights, and an emotionally nurturing artist become a representation of reality, an opportunity to play and learn at the same time.
Last but not least babies have the opportunity to differentiate between the space of the stage and of the audience. It is scientifically proved that children start to build a coherent representation of reality very early, from about the 3rd month of life. With Elisa they perceive themselves into the show.
When Sofia attended to her first “Early Years Theatre” she was 6 months old and she learned to clap. Two days later we were at Jacksons Lane for a puppetry show and right after we sat, she started clapping! The show was not on yet, but she knew what her role was.
Elisa’s performances has been the best, more sophisticated, emotionally rich, and educationally interesting experience I’ve been able to offer to my daughter.
Alexander Sutherland Neill was the founder of the famous ‘free school’ Summerhill, a school for pupils between 5 and 16, adopting the rule of “self regulation”. He was born in Forfar, Scotland, in 1883. The parents were elementary schools teachers. His early family life, quite frustrating, is the origin of his whole work (from his autobiography):
- his childhood is marked by suggestions, prohibitions, fears and coercions;
- the family life is conformist and inflexible;
- the father was violent and uncommunicative; Alexander felt unloved by his father;
- the relation with the brothers (model students) and the mother was difficult.
The brothers frequented the lyceum, he did not. He suffered of learning difficulties. After few working experiences the family decided his destiny: being a teacher of elementary school. Afterwards he studied at the faculty of agriculture and ended with a degree in English literature.
After the second world war and several tries, he met the Little Commonwealth of Homer Lane, where he discovered the “pedagogy of freedom”.
In 1921 he founded with some friends an international school in Hellerau, near Dresda. Three years later because of the revolution in Saxony he moved to Australia and in 1924 came back to England.
Here is where his project, called Summerhill, begins, first in Lyme Regis and later Leiston, few kilometers far from London, until his death (1973).
The theory: from the psychoanalysis to the pedagogy
The pedagogy if Neill is considered as “non directive”, a free education, able to give creativity and spontaneity back to the children. This is part of the early 20th century neoliberalism, enhancing individualism and personality.
Neill simplified the Freudian interpretation of the emotional life (Ego, id, super ego), the individual psychology of Alfred Adler, dissident disciple of Freud, and the lessons of Homer Lane (with his Little Commonwealth) in one principle: the faith into the original goodness of the human nature.
Id, ego and super-ego are the three parts of the psychic apparatus defined in Sigmund Freud’s structural model of the psyche; they are the three theoretical constructs in terms of whose activity and interaction mental life is described. According to this model of the psyche, the id is the set of uncoordinated instinctual trends; the ego is the organized, realistic part; and the super-ego plays the critical and moralizing role. The super-ego can stop you from doing certain things that your id may want you to do.
Even though the model is structural and makes reference to an apparatus, the id, ego and super-ego are functions of the mind rather than parts of the brain and do not correspond one-to-one with actual somatic structures of the kind dealt with by neuroscience.
The concepts themselves arose at a late stage in the development of Freud’s thought: the “structural model” (which succeeded his “economic model” and “topographical model”) was first discussed in his 1920 essay “Beyond the Pleasure Principle” and was formalised and elaborated upon three years later in his “The Ego and the Id”. Freud’s proposal was influenced by the ambiguity of the term “unconscious” and its many conflicting uses.
Individual Psychology of Alfred Adler
Adler shifted the grounds of psychological determinance from sex and libido, the Freudian standpoint, to environmental factors. He gave special prominence to societal factors. According to him a person has to combat or confront three forces: societal, love-related, and vocational forces. These confrontations determine the final nature of a personality. Adler based his theories on the pre-adulthood development of a person. He laid stress on such areas as hated children, physical deformities at birth, birth order, etc.
From idea of libido, as leading power of the Freudian system, through principle of power of Adler, as original need of any human being, Alexander finds in Homer Lane a practical solution of his pedagogical idea.
The Little Commonwealth was a rehabilitation centre for young robbers where Lane adopted the method of freedom and self-government.
The Little Commonwealth is a co-educational community inhabited by children ranging in age from a few months to nineteen years, those more than thirteen years of age having been committed for a term of years for crime, as to a reformatory – in fact, the Little Commonwealth has recently been certified as a reformatory. The younger children are those who would in any case be subject to institutional care in asylums or orphanages. At the present moment the population of the Commonwealth is five adults, four of whom are women, forty-two boys and girls of fourteen to nineteen years of age, and nine younger children.
This population is distributed among three ‘families,’ grouped by congeniality; each person is free to choose his own place of residence. Boys and girls live in the same families, sharing equally the responsibility for family maintenance and government, as well as the responsibility for the welfare of the younger children. The chief point of difference between the Commonwealth and other reformatories and schools is that in the Commonwealth there are no rules and regulations except those made by the boys and girls themselves. All those who are fourteen years of age and over are citizens, having joint responsibility for the regulation of their lives by the laws and judicial machinery organized and developed by themselves.
The adult element studiously avoid any assumption of authority in the community, except in connection with their respective departmental duties as teachers or as supervisors of labour within the economic scheme. The citizens are paid wages in Commonwealth currency for their work in the various departments, and provide their own food, clothing, and recreations to whatever degree of comfort and elegance their earning capacity will permit. The wage paid corresponds to that of the outside world in similar employments The citizens are occupied chiefly with earning a living, to a regrettable exclusion of any considerable time for formal school-work. This, of course, does not apply to the children under fourteen, who have no work to do other than that chosen by themselves after the school-work is finished.
Freud and Adler showed to Alexander how to interpret the neurotic behaviors of the pupils of Summerhill and restore their original psychic equilibrium. Afterwards Lane revealed a treatment that is both cure and education: the “system of freedom” is not only a cure for neurosis but it also prevents the onset and leads to a balanced personality.
Spontaneity and self-development
The vision of Neill has 2 premises:
- faith on the natural goodness of the mankind. The educational method of Summerhill was based on the respect of spontaneity and development as natural attitude.
The child is spontaneously positive: any negative aspect is produced by our wrong adult mentality. Egoism is natural and energetic aspect of any child: whenever the adults teaches that sharing is better, they bribe the nature of their pupils who has no reason to feel guilty.
- Fear and hate come from the conflict with adults. Any repression originates fear and hate on the child and, as a consequence , guilt trip. Here is when the child starts to hate his mother and father but as they are internal and important elements of anybody life, he develops a second personality in order to masks his hate.
Neill has no doubts: the right way, the solution of this problem is freedom, spontaneity and self-regulation. Nature has already everything for a balance and happy childhood.
Summerhill: non-directive methodology
The conflict, for Alexander, is between nature and culture: culture is an imposed morality and what the child needs is freedom. A directive methodology is meant to educate the mind, but with an emotive freedom, the mind would be autonomously healthy.
The most important concept of Sumerhill is: the child has to live according to its natural and legitimate interests.
Up to 1970 Alexander used to do psychoanalytic therapy into the schools. Afterward he definitely decided to unify freedom and love under the same practice of self-discipline:
- At Summerhill everyone has the same rights: I cannot take the toy of a child without its permission and during the general assembly the vote of a child is important as any other.
- Only the teachers has a time-schedule, not the children, who were free to frequent or skip the lessons.
The youngest children were naturally self motivated and curious, as the children naturally are, but the older ended on hanging around, repeating the same activities with small efforts. Summerhill was the reaction of Alexader to a personal painful childhood. The idea of letting the children to be free, the absolute respect for their interest was the key to a new free humanity.
Of course any single child has personal interests but the pleasure for any activity comes from the relation with the teacher and sometime a slight effort makes the child more patient and motivated by an unexpected curiosity. Alexander based all his activity on the idea of a sharp opposition between the traditional culture and the spontaneity of children and this black and white vision is not always convincing.
Besides this, his commitment has been great and what he did was a good try for a new experimental education.
Following some testimony of the ex-pupils:
I have recently discovered this author and I found his vision on history quite inspiring. I think that considering history (in all its forms) as a never-ending process of social and personal re-elaboration of cultural “values” keeps both pedagogy and school into a critical and positive dialogue, functional to a fruitful educational planning.
Sergej Hessen, Ust’-Sysolsk (Siberia) 1887 – 1950
Family of jurists, studied at the Rickert (neo-Kantian school) where he acquired an original philosophy of values, he participated to the October Revolution, looking forward to a democratic solution for the fight of workers and peasants. His ideal is the socialist legal. Because of the “democratic centralism” of Lenin, he abandoned the Marxism and left Russia for Berlin (1923), Prague (1924) and Warsaw (1934): these choices represent the need of distance from the leading ideology of his country and keep alive a cultural dialogue in order to fine a third way (democracy) between liberalism and Marxism.
His most important works:
- “Philosophical foundations of pedagogy”, Berlin, 1923;
- “Ideology and autonomy of education and pedagogy”, 1938;
- “Structure and content of the modern school”, 1939;
- “Platonic and evangelic virtue”, 1939.
The dramatic events of the second world war, the concentration camps, the genocide of the Jews, therefore the obscuration of the mind of the defeat of the “reasons of culture” did not discourage him. In 1948 he wrote for Unesco “Modern Democracy”, for the renovation of liberal ideology in a democratic way and “Pedagogy and economic world”: an analysis of the pedagogic problems on the modern industrial society.
He represents a rare example of pedagogic and civil commitment.
From Kant, through Rickert, to values as foundation of culture and history.
Hessen based his pedagogic vision on the idea of culture, derived from the humanistic tradition and in particular from philosophy of values of Windelbrand and Rickert.
Kant demonstrated that it is not possible to explain the experience without referring to the laws of the ego. Rickert went beyond and applied the idea of Kant to history: it is not possible to explain history without referring to the values: the values are the conditio sine qua non (“condition without which it could not be”) to explain the infinite tension that animates the human cultural production. The production of values is functional to the tradition or the accumulation of human production that have a meaning, an intrinsic validity.
What are these values about? I will answer with “Culture and history”, from Sergej Hessen.
“History is the past of a nation” does not really mean anything.
In 1564 Ivan the Terrible established his body guard and in another year he lost a chess game with his medical staff: these are two facts belonging to the past. But the first is an historic fact while the second is a simple fact attesting some relations of happenings. Indeed, while the second is actually past and it vanished all his reality, was born at the time and at the time finished, the first instead is not past but is transmitted generation by generation and is now up to our time. We unconsciously carry it because we do not have the strength to get rid of his presence.
Similarly the discovery of the differential calculus by Leibniz and Newton made between the XVII and XVIII century is still persisting nowadays in the works of mathematicians and physics. This fact hasn’t been submerged into the past but, passed down generation by generation and became an essential part of our reality. The historical past is, therefore, an imperishable past that goes beyond the power of time, that self-preserves from decomposition and oblivion: is an alive past, never extinguished; and that is why we can remember it: we can restore it in our knowledge. The historical past, passed down the various generations, connect them to each other: history is tradition.
That is why history is not only tradition and has other principles that keep it alive, free from the supremacy of time. These principles (or values) soar over any contingent and changeable purpose of the common and daily human activities, all through the historical life of humanity. They transcend time and personality and permeate the succession of generations and unify the generation under the commonality of ideals, in which human creativity succeeds. These principles are inexhaustible because infinite and infinite […] because the meaning of values goes always beyond its historical reality.
Science will never complete its purpose, the ideal of perfect beauty will never be realized, the human being will never end the fight against itself, against the temptation to rest its achievement of higher and higher moral freedom. On the other hand, the more man learns, the bigger his aspiration to discover all the reality presents new problems. The impossibility to totally accomplish our duties, increases the quantity of our moral duties and the realization of beauty sharpens our perception and presents even more motifs for artistic creation. The more men get next to the values, the bigger they walk away and last as unsolvable, unreachable problems not because they are fictitious but because they are inexhaustible and transcendent.